AMPAL 2025 AGM AND ELECTION OF DIRECTORS

The Australasian Music Publishers’ Association Limited (AMPAL) has held its Annual General Meeting in Sydney on 25 November 2025. 

This year the number of nominees for the position of director matched the number of available director positions.  

In accordance with article 12.5.7B of AMPAL’s constitution, all nominees in that case were be deemed elected without a ballot at the AGM, meaning that a ballot was not required. 

There were 5 board vacancies available.   

5 Directors retired in accordance with the Constitution and, being eligible, 4 offered themselves for re-election, being Clive Hodson, Jodie Feld, Karen Hamilton, and Ralph W Peer.  Jaime Gough volunteered to go for re-election early, making him the required fifth director to retire.  No additional nominations were received. 

The Company Secretary declared the result in the 2025 AMPAL Board elections to be that all the nominees were elected to the AMPAL Board, being the following people now listed in alphabetical order:   

Jodie Feld 

Jaime Gough 

Karen Hamilton 

Clive Hodson 

Ralph W Peer 

AMPAL is an industry association with more than 50 music publisher members in Australia and New Zealand and is governed by a Board of 15 elected member representatives. Between them, our members represent the majority of the economic value of the music publishing sector. The current AMPAL Board is shown at: www.ampal.com.au/ampal-board/

Presented below is the AGM Report from AMPAL Chair, Clive Hodson.

Before anything else, I want to acknowledge the passing of Matthew Capper in January this year. As well as being a dear friend, Matthew was a deeply respected colleague and champion of music publishing. His contribution to AMPAL and our industry was massive and will never be forgotten. 

Despite the setback and heartbreak of Matthew’s passing, 2025 has been a defining year for AMPAL. 

We strengthened our voice, made the invisible visible, and expanded our influence across Australasia - thanks to our members, our Board, and the leadership of our Chief Executive Officer, Damian Rinaldi. 

This year, AMPAL delivered real advocacy outcomes. 

We played a role in the Government’s rejection of the proposed Text and Data Mining exception and continued to champion the principle of licensing, not exceptions in AI and copyright. This strengthened AMPAL’s standing as a trusted industry voice. 

We also strengthened how AMPAL works - establishing formal committees, launching @WeAreAMPAL as a uniform presence across all major social media platforms and then as our weekly newsletter, and expanding how we connect with our members. 

We deepened our Trans-Tasman relationships through face-to-face engagement with New Zealand members and peak bodies, including with Heard & Seen, Precise Digital, the New Zealand Music Commission and NZ On Air. 

Through Music Australia’s International Conference Contribution (or MAICC) program, our members accessed opportunities that would not traditionally be available to them.  We are also grateful for Music Australia’s core contribution funding, which allowed AMPAL to introduce the Communications and Development role carried out so transformatively by respected industry veteran Kylie Martin. 

As we look to AMPAL’s 70th anniversary in 2026, we are focused on honouring our past and investing in our future. 

AMPAL is more united, more visible and more future-focused than ever. 

As always, I’d like to thank all of our directors for their commitment to AMPAL. 

 

 

AMPAL stands with Australia’s music industry on landmark copyright decision

A milestone moment for Australia’s music publishers and the songwriters and composers they represent. 

AMPAL stands proudly alongside the nation’s leading music industry bodies in welcoming the Attorney-General’s announcement that the Albanese Government has ruled out introducing a Text and Data Mining (TDM) exception into Australian copyright law. 

Almost two years ago, APRA AMCOS convened the first creative industry roundtable on AI, uniting the music community to defend the rights of creators. That coalition has worked tirelessly ever since to ensure that permission and payment remain at the heart of innovation. 

Damian Rinaldi, AMPAL CEO 
“This is a big win for songwriters and composers, and the publishers who champion them. By rejecting a TDM exception, the Government has made it clear that permission and compensation still matter in the age of AI. AMPAL has always believed that licensing, not exceptions, is the right path forward, so we applaud the Albanese Government’s decision to uphold copyright law and stand with Australia’s creative community.” 

Clive Hodson, AMPAL Chair 
“The Federal Government’s rejection of a TDM exception finally gives much-needed certainty to Australia’s music publishers, for whom the risk of creative theft was acutely felt. Creators and their partners can now move forward with confidence and continue to excel on the global stage.” 

AMPAL applauds this outcome and celebrates the united voice of Australia’s music industry in protecting creators’ rights in the age of AI. 

The Australian Music Industry United: Licensing, Not Exceptions, Is the Path Forward for AI

On Tuesday, 30 September 2025, AMPAL appeared before the Australian Senate Select Committee on the National Cultural Policy at Parliament House, Canberra.

AMPAL CEO Damian Rinaldi presented an opening statement (below) on behalf of the music publishing community, joining industry colleagues Dean Ormston (APRA AMCOS), Jenny Morris (APRA Chair) and Annabelle Herd (ARIA & PPCA).

Together, the group made a united and compelling case for a licensing solution to the use of music in AI training and against the introduction of a new copyright exception for text and data mining (TDM).

I read an interesting quote last night, from the Chief Executive of the Tech Council of Australia in the Sydney Morning Herald.  He said “The TCA is hopeful Australia can find a path forward on copyright, that allows AI training to take place here, while also including appropriate protections for creators who make a living from their work.”  

From AMPAL’s perspective, that path can be readily found in licensing.  Every one of our 50-plus music publishers members does it (as do APRA AMCOS and PPCA) every day.   

The Productivity Commission proposes a text and data mining copyright exception.  For context, the last copyright exception brought into law related to access by persons with a disability - clearly an exceptional special case.  A TDM exception, however, ain’t so exceptional.  The issue it seeks to address can be fixed by - licensing.   

As for the idea of an opt-out “compromise” – that’s like your home has been overrun by complete strangers, and it’s on you to have to ask nicely for them to leave.  No songwriter or publisher should have to grovel like that over their own songs – it’s un-Australian. 

Our recommendation is clear – licensing yes, exceptions no. 

📺 You can watch Damian’s full opening statement here.

AMPAL Tells Productivity Commission: Licensing Over Exceptions   

The Australasian Music Publishers’ Association Limited (AMPAL) has submitted a response to the Productivity Commission's interim report on data and digital technology, advocating against a proposed text and data mining (TDM) exception for copyrighted works.  

Our Board members have spoken out on the devastating impact this TDM exception would have on Australian music publishers, songwriters and our cultural exports.  

From AC/DC and INXS, through to Sia and Tame Impala, Australia’s songwriters and composers are some of our proudest and most powerful cultural exports. Music publishing is the business that supports them. 

A blanket TDM exception would weaken that system, deter investment and hand enormous value to companies who give nothing back.  It also lacks the nuance, creativity and agility that only an industry-led licensing solution can yield.  

Licensing is the proven way forward. It encourages innovation, ensures fairness and keeps Australia in step with international best practice.  

We urge the Commission to reject a TDM exception and support a licensing-based approach that works for both the tech and creative sectors. 

Read AMPAL submission here

Remembering Col Joye AM (1936-2025) - A Pioneer Who Shaped Australasian Music Publishing

Col Joye AM (1936-2025) was more than a rock ’n’ roll trailblazer - he played a huge part in laying the foundation for Australasian music publishing.  

Through ATA and Joye Music he supported local songwriters while safeguarding their rights and ensuring their music was heard throughout Australasia and across the world.  

Col Joye’s impact on Australian music goes far beyond his legendary rock ’n’ roll hits. As a visionary music publisher, he was instrumental in building one of the country’s earliest and most influential publishing companies through ATA and Joye Music.  

Col championed local songwriters at a time when Australasian music was fighting for its place on the world stage.  

Thanks to his vision and dedication, Col laid the foundation for a thriving Australasian music publishing community that AMPAL proudly champions today. 

At AMPAL we recognise Col for showing us that music publishing goes beyond business, it’s about believing in Australasian songwriters and backing them every step of the way. 

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Current and former AMPAL Board members reflect on their memories of Col Joye:

Clive Hodson - Current AMPAL Chair & Managing Director Perfect Pitch Publishing

Col Joye was a true pioneer of Australian music publishing and I feel deeply fortunate to have known him. AMPAL honours his extraordinary contribution to music publishing and his championing of songwriters, bringing their work to the world.

Fifa Riccobono AM - AMPAL Board member 1997 - 2002

Some years ago I was at a luncheon and Col was being his usual entertaining self, walking around the tables playing his ukelele and when he got to me he bent down beside me and started playing a Māori song, I softly said “Col, I’m Sicilian” and without missing a beat he segued into “That’s Amore” followed by that wonderful Col laugh!  He was the consummate performer and a wonderful guy to boot!  That darling man and that beautiful smile will be sorely missed.  Vale Col Joye. 

Mark Callaghan - AMPAL General Manager 2007 - 2010 

It was during my time as A&R Manager at Festival records that I first met Col Joye. From the first time we met I was so impressed by Col’s knowledge, zest for life and wonderful nature. 

We'd have lunch regularly during that time and also later when I was General Manager of AMPAL. Col would regale me with stories of his time with the Joye Boys - and boy they were a wild bunch! 

My favourite story was when Col told me of one particular tour the Joye Boys did with a group of artists that included Little Pattie and the wonderful Uncle Jimmy Little. 

Col described how the touring party checked into a motel in Moree (I’m pretty sure it was) and headed for their rooms. Some time later Col walked through reception and saw Uncle Jimmy sitting there. 

When he asked what Jimmy was doing, Jimmy said that he hadn’t been given a room as he wasn’t allowed to stay in that motel. 

According to Col, the touring party were outraged and promptly ‘trashed their rooms’ before leaving the hotel in disgust. 

That was Col - he deeply loved Australian Music and his fellow performers and had a keen sense of justice. 

He told me tales of the young Bee Gees hanging around the Festival studio hassling other artists to cover their songs.  

He told me stories about the great Johnny O’Keefe - the wild man of Aussie Rock - and how the only other artist he permitted to share his dressing room was Uncle Jimmy Little, the quietly spoken non-drinker that Johnny adored. 

They were marvellous lunches and the chance to hear the stories of Col’s life in music was just priceless. 

Col was also an astute businessman of course and a seminal figure in the development of our industry, so his thoughts and observations were always insightful and informative.

Knowing Col Joye was an absolute privilege. He was a gentleman and a scholar and will be greatly missed by all who knew him. 

Rest In peace Col. 

Peter Hebbes AM - Served as a Director on AMPAL's Board for over 40 years and General Manager from 2010 to 2012 

Col Joye was one of the most respected and loved members of the Australian music scene. His passing is the end of an era, but his history will linger on forever. 

His professional recording and performing career is well established and widely known. However his generosity in supporting and encouraging songwriters, is less known to the general public but well known within the Industry. He loved lyrics and tunes and was forever mentoring young and new writers in their craft. He always made his studio available to writers FOC, often engineering the sessions himself. In the early 60’s, he started Joye Publishing, and his first signing was Barry Gibb of the Bee Gees!! Col went on to sign many well-known Australian writers such as Kevin Johnson and Mike McClellan and was constantly pitching songs to recording artists all over the world, even in the last 12 months of his illness. 

His record label was just as busy, recording mainly family and friends, such as Little Pattie and Sandy Scott. He had amazing ears and pitch and was constantly correcting or changing music for stage shows and recordings. Not only did he love the music industry, he also loved his politics and was one of the behind-the-scenes organisers of the famous Gough Whitlam, “It’s Time” Campaign, written by Pat Aulton and recorded and produced in his studios. 

Together with his brother Kevin, they formed one of the most successful touring promotion companies, bringing artists out to Australia such as Bruce Springsteen, Barbra Streisand and Michael Jackson – just to name a few. 

Col was a great supporter of the Australasian Music Industry and always promoted and believed in the Societies - APRA/AMCOS, AMPAL, CMAA and ARIA. He was also a great supporter of the Golden Stave Foundation and Support Act. 

Col will be sadly missed by many and I personally will miss our regular lunches and get-togethers at the nearest “greasy spoon” (as he used to call them). 

Jeremy Fabinyi – AMPAL CEO 1992 - 1988 & General Manager 2012 - 2016 

Col and his brother Kevin Jacobsen were trailblazers in the early days of rock and roll in Australia and their publishing and entertainment businesses had a tremendous impact on the development of the music business. 

Matthew O’Sullivan – AMPAL General Manager 2016 - 2022 

I will remember Col Joye as a very entertaining, energetic and cheery fellow.  Col would announce his arrival at AMPAL AGMs as “Col Joye and the Joy Boys” from the back of the meeting room.  He was always a supporter of AMPAL and the music publishing sector generally.  The industry has lost a great ambassador and a great friend, but Col's legacy as a trailblazing and pioneering artist will endure.  My thoughts are with Dalys and the Joye family. 

Matthew Donlevy – Current AMPAL Board member & Managing Director Cooking Vinyl Australia  

My mother Rose, when in her early 20s worked at Chappell and Co and, as artists did in the day to find new songs to perform Col would pop into Chappell looking for new songs. She would give him the sheet music to the latest O/S songs for him to try. So every time I saw Col from an early age he would always greet me with “G’day Matt, how’s your mum”. Unnerving when a pop star of the time asks about your Mum… 

Art Phillips – Current AMPAL Board member & Owner & Director 101 Music Pty Ltd 

Col Joye was a musical legend and pioneer of the Australian Rock n’ Roll/Pop scene. He was the first Australian pop performer to have a national number one hit single with ‘Oh Yeah Uh Huh’. He continued with ten Top 10 hits in the Sydney charts from May 1959 to May 1962, including four Number 1s. 

I have many great memories of Col who was a true gentleman, a super talent, fun-loving, always with a smile, always with a story. He left a memorable impression on everyone he met. 

Many years ago whilst playing on one of Col’s recordings at ATA Studios Glebe, he handed me one of his favourite guitars. I commented when playing it – ‘Nice, but it has a bit of a weird neck’. He never let me live it down!  

Every time I would see him since that day he would address that moment immediately, shouting in his playful voice ‘Hey here’s the weird neck man’.  

In fact, just last November I was being interviewed on a local radio show at 2RRR FM with Michael Parsons, when low and behold Col calls in ‘live on air’ and says ‘How’s that weird neck man’. 

We thank you Mr Joye for your lifelong contributions to our industry over the years. You will be deeply missed. 

Damian Rinaldi - Current AMPAL CEO

Col Joye’s passing marks the loss of a true legend, not just of Australian performance history, but of our music publishing community. His support for AMPAL and our broader industry was constant and genuine. Long before many recognised the value of a song’s copyright, Col was backing songwriters with his time, resources and belief. 

Col’s impact will live on in the songs he championed, the careers he helped launch and the countless writers who found their start and their confidence because he believed in them. Vale, Col Joye.  

Col Joye - 1936-2025

AMPAL announces Round 4 recipients of the 2025 Music Australia International Conference Contribution (MAICC) – Music Publishers Progra

AMPAL is delighted to bid bon voyage to four more recipients courtesy of the 2025 Round 4 Music Australia International Conference Contribution (MAICC) – Music Publishers Program

In this latest round, four outstanding AMPAL members have been awarded funding to represent Australian music publishing on the global stage at four key international industry events: Reeperbahn Festival, All That Matters, IMPF Conference and The Midwest Clinic

The MAICC program is a key initiative delivered by AMPAL and supported by Music Australia. It enables Australian music publishers to attend international events, forge new connections and showcase the strength and diversity of local talent to the world. 

Congratulations to our Round 4 2025 MAICC recipients: 

Julian McGruther – Sony Music Publishing 

Reeperbahn Festival 2025 

Hamburg, Germany | 17–20 September 

“AMPAL has long been a champion of Australian music publishers and songwriters, and this initiative with Music Australia gives us the opportunity to enhance the international presence and success of more incredible local talent. Creating exciting, creative and global opportunities for our roster is an ongoing priority for Sony Music Publishing Australia, and I’m proud to be representing that roster and SMP at Reeperbahn this year. Big ups to the AMPAL and Music Australia teams for making it happen!” 

Cathy Nelson-Williams – Wise Music 

All That Matters 2025 

Singapore | 29 September–1 October 

“Excited and grateful to receive this MAICC funding from AMPAL, made possible through Music Australia, to attend All That Matters in Singapore — a fantastic opportunity to connect with the APAC music and media community, build new relationships, and strengthen Wise Music’s presence in a key growth region. 

I’m especially looking forward to immersing myself in the panels, discussions and networking opportunities at this dynamic event. With the APAC region now being led from our Sydney office, the timing couldn’t be better as we focus on making the most of the region’s potential for our writers and catalogue. This experience will allow me to also share insights with fellow Australian music publishers, contributing to a deeper understanding of the Southeast Asian music market.” 

Craig Redfearn – ORiGiN Music Publishing 

IMPF Conference 2025 

Palma de Mallorca, Spain | 7–10 October 

“ORiGiN Music Publishing is honoured and grateful to receive the MAICC grant from AMPAL, supporting our attendance at this year’s IMPF Global Music Summit in Palma in October.  

This opportunity allows us to further develop our international network and connection with global publishing partners. Most importantly we will have the platform to champion the incredible work of our roster of songwriters and composers.  

Thank you to everyone at AMPAL for the generous support.” 

Richard Snape – Australian Music Examinations Board (AMEB) 

The Midwest Clinic 2025 

Chicago, USA | 17–19 December 

“I am very grateful to AMPAL’s 2025 Music Australia International Conference Contribution program. By receiving this grant, it will allow us to attend the Midwest Music Conference in Chicago in December and further our connections with US print publishers which will allow opportunities for Australian composers and Authors to partner with these publishers. Thanks to this support, our participation is not only possible but positioned for meaningful impact. Thank you again for supporting Australian Music.” 

AMPAL is also pleased to announce dates for two further rounds of MAICC funding for conferences occurring January–June 2026: 

ROUND 1, 2026: For conferences in January–June 2026 

  • Applications open: Monday 13 October 2025 

  • Applications close: Monday 27 October 2025 (3pm AEDT) 

ROUND 2, 2026: For conferences in March–June 2026 

  • Applications open: Monday 2 February 2026 

  • Applications close: Monday 16 February 2026 (3pm AEDT) 

AMPAL congratulates all Round 4 recipients and looks forward to the insights, relationships and opportunities they’ll bring back to the wider publishing community. We can’t wait to see the impact these four publishers will make on the global stage and the new pathways they’ll help open for Australian songwriters and composers. 

This project has been assisted by the Australian Government through Music Australia. 

8.78 billion reasons to take music seriously!

Today, Music Australia dropped The Bass Line, the first report of its kind charting the Australian music industry’s economic power, revealing our sector brought in A$8.78 billion in revenue and contributed A$2.82 billion to Australia’s GDP in 2023–24.

“The Bass Line report finally puts hard numbers behind what we’ve long known – that music publishing, including composition and songwriting, is a A$470 million powerhouse, with A$95 million in export revenue alone, remarkably almost on par with live sector export revenue. This landmark report gives AMPAL (Australasian Music Publishers’ Association Limited) and its members the evidence we need to push for investment, policy and real support for Australian songwriters in a rapidly shifting music landscape.” Damian Rinaldi, AMPAL CEO

Damian Rinaldi joined a powerhouse panel discussion moderated by Chris Carey to discuss the findings and was joined by Jess Keeley (AAM), Dean Ormston (APRA AMCOS), Jane Slingo (EMC) and Alex Masso (Australian Music Association) to unpack the findings and spotlight the crucial role of music publishing in shaping Australia’s creative and cultural economy.

Huge congratulations to Music Australia and all involved in this milestone moment.

Read The Bass Line Report here: https://creative.gov.au/.../bass-line-charting-economic...