Damian Rinaldi

MAICC 2026 Round 3 grantees announced

From Mumbai to São Paulo: Australian music publishing strengthens its global connections 

Ten Australian music publishing professionals will attend six major international music industry events through Round 3 of the Music Australia International Conference Contribution (MAICC) program. 

The latest round will support AMPAL members travelling to India, the United States, Spain, France, the Netherlands and Brazil, strengthening the international networks and market knowledge of Australia’s music publishing sector. 

Successful applicants will participate in All About Music in Mumbai, AMERICANAFEST in Nashville, the IMPF Global Music Summit in Palma de Mallorca, MaMA Music & Convention in Paris, Amsterdam Dance Event and two complementary events in Brazil: SIM São Paulo and Fluvial. 

AMPAL CEO Damian Rinaldi said the diversity of destinations reflected the increasingly global outlook of Australian music publishers. 

“International engagement is essential for Australian music publishers seeking to build relationships, explore new markets and create opportunities for the songwriters and catalogues they represent. 

“Through MAICC, our members can participate directly in important international conversations and establish connections that deliver benefits well beyond the conference itself.” 

The Round 3 cohort represents independent and major music publishers working across a broad range of genres and markets, including electronic and dance music, Americana, independent music and global rights management. 

Two recipients will travel to All About Music, India’s leading business-to-business music conference, while three will attend the IMPF Global Music Summit, a key international gathering for independent music publishers. 

Other recipients will strengthen Australia’s presence at major industry events in Nashville, Paris and Amsterdam, while the combined SIM São Paulo and Fluvial program will provide an opportunity to explore the rapidly developing Latin American music market. 

Together, the six international events will connect Australian music publishers with industry leaders, rights organisations, creative partners and emerging markets across Asia, Europe, North America and South America. 

MAICC 2026 Round 3 by the numbers 

  • 10 music publishing professionals supported  

  • 6 international events  

  • 4 continents represented  

  • 10 independent and major publishing companies represented  

  • Strong representation across emerging, specialist and established music markets  

MAICC 2026 Round 3 - successful applicants 

All About Music - Mumbai, India 

  • Charlton Hill - Uncanny Valley  

  • Alvin Pandey - GBM Publishing  

AMERICANAFEST - Nashville, United States 

  • Rachel Kelly - Community Music  

IMPF Global Music Summit - Palma de Mallorca, Spain 

  • Linda Bosidis - Mushroom Music Publishing  

  • Jane English - Wise Music  

  • Grant Gillies - Gaga Music  

MaMA Music & Convention - Paris, France 

  • Frank Rodi - Alchemy Entertainment  

Amsterdam Dance Event - Amsterdam, Netherlands 

  • Julian McGruther - Sony Music Publishing  

  • Carlos West - Peppermintblue  

SIM São Paulo and Fluvial - Brazil 

  • Matthew Rogers - G.Y.R.O.  

This project is assisted by the Australian Government through Music Australia. 

No free pass: music publishers warn Canberra not to trade Australian songs for AI investment

As the creative industry backs an Open Letter to Government, AMPAL calls on the Australian Government to hold the line on AI, copyright and creator rights 

Australia’s music publishers have issued one of their strongest warnings yet over artificial intelligence and copyright, arguing the Federal Government risks trading away the rights of songwriters and composers in a rush to attract AI investment. 

The Australasian Music Publishers’ Association Limited (AMPAL) is backing the creative industries’ Open Letter to Government, which calls on the Australian Government to commit to the future of creativity in this country and reject any weakening of copyright protections for AI companies. 

AMPAL is encouraging music publishers, songwriters, composers, music businesses and the wider creative sector to sign the Open Letter and add their voices to the growing call for no use without permission and payment for their creative content. 

The Open Letter can be signed here: Open Letter to Government 

As creative industries leaders gather at Parliament House this week, AMPAL has called on Canberra to continue to reject any text and data mining exception or copyright carve-out that would allow AI companies to use music without permission. 

AMPAL CEO Damian Rinaldi is at Parliament House alongside AMPAL Board Director Art Phillips, joining a broader push from the music and creative industries to keep permission at the centre of Australian copyright law. 

AMPAL’s message is clear and simple: AI companies do not need weaker copyright laws to innovate. They need licences. 

“If AI companies want to use music, they need permission, they need a licence and they need to pay fairly”, Mr Rinaldi said. 

“Licensing is already working. Australia should not weaken copyright to solve a problem the market is already solving.” 

AMPAL says that any carve-out for AI companies would undermine the basic licensing framework that governs every other commercial use of music. 

Every other commercial user of music is expected to play by the rules. Radio stations, streaming services, advertisers, film producers, television networks, brands and venues all operate within copyright and licensing systems. 

AI companies should not be handed a special exemption simply because they are new, powerful or well-funded. 

Innovation is not a reason to bypass permission. Scale is not a reason to avoid licensing. 

AMPAL Board Director and Co-CEO of Mushroom Music Linda Bosidis said the issue is not solved by a levy, a fund or an after-the-fact payment scheme. 

“A levy is not consent. A fund is not permission. A payment does not replace the right to choose. 

“This is an existential threat. Songwriters, the human creators at the heart of every song, must retain the right to say yes, the right to negotiate and the right to say no. 

“Once permission is removed, creators no longer control their own work, they become a free resource for tech companies and an unpaid input into someone else’s business model.” 

AMPAL says Australia has already held the line on AI and copyright and should not now backtrack. 

AMPAL Board Director and Managing Director of Kobalt Music Publishing APAC Simon Moor said a text and data mining exception would risk undercutting licensing deals already being developed in Australia and overseas. 

“Backtracking on text and data mining would undermine the licences already in place that enable AI innovation, disrupt legitimate licensing negotiations underway in Australia and around the world, short-change Australian creators, and trade away our cultural assets for a fraction of their true value. 

“Australia must not become the weakest link.” 

AMPAL Board Director and Owner/Director of 101 Music Art Phillips said music should not be treated as raw material for the technology sector. 

“Music is not a pile of content waiting to be scraped. 

“It is the result of human lives, human stories and human craft. 

“Music publishers are custodians of those rights on behalf of creators. AI companies should not get a special carve-out from the rules every other commercial user of music follows: ask first, pay fairly and respect copyright.” 

AMPAL Board Director and Managing Director of Sony Music Publishing Australia Damian Trotter said the industry cannot afford to underestimate the stakes. 

“I don’t believe there is anything more important, or that poses a greater threat to songwriters, artists and the wider creative industries, than what is happening right now around AI and the proposed evisceration of copyright. 

It is inconceivable that this government could even be entertaining the idea of allowing giant technology companies, who fiercely protect their own IP, to ingest the totality of human creativity without consent, attribution or anything approaching fair compensation. 

And in return for what? A bunch of giant boxes in our suburbs, drawing astronomical amounts of power, competing with us for drinking water, all while replacing the next generation’s jobs. 

This is not simply about pushing back against another new technology. It is an existential threat, and it must be met with the full force of our industry.” 

AMPAL says music publishers support innovation, but innovation must be built on permission, licensing and fair value. 

The association says the question for Australia is not whether AI will reshape creative industries, but whether the people who wrote the songs, scores and catalogues AI companies want to use will still have the right to say yes, negotiate a fair price, or say no. 

AMPAL is calling on all music publishers, songwriters, composers and creative industry supporters to sign the Open Letter to Government and help reinforce the sector’s message: 

No use without permission and payment. 

Creative work must be licensed, not taken. 

AMPAL’s position is clear: 

No exceptions. No free pass. License it. 

 
Sign the Open Letter: Open Letter to Government 

Damian Rinaldi re-elected to ICMP Global Board as AMPAL’s global advocacy role grows

The AMPAL Board congratulates Damian Rinaldi on his re-election to the ICMP Global Board and his continued role as Chair of ICMP’s APAC Regional Group.

Damian’s re-election is a strong endorsement of his standing among international music publishing colleagues and an important recognition of AMPAL’s growing role in global policy conversations around AI, data, licensing and copyright.

This international connection is especially important at a time when copyright and creator rights are under increasing pressure. Through AMPAL’s relationship with ICMP, we are able to draw on global expertise, policy intelligence and advocacy support, strengthening our voice on behalf of Australian and New Zealand music publishers, songwriters and composers.

AMPAL CEO Appointed Chair of ICMP Asia-Pacific Regional Group

The International Confederation of Music Publishers (ICMP) has announced the appointment of leading global music publishing executives to its Expert and Regional Groups, reinforcing international collaboration across the sector. 

AMPAL CEO Damian Rinaldi has been appointed Chair of the ICMP Global Regional Group - Asia Pacific (APAC), alongside Frederica Wong, Director Asia at Kobalt Music Group, who has been named Vice Chair

In addition, John Reston, President of Global Administration at Universal Music Publishing Group, has been appointed Chair of ICMP’s Industry Metrics Expert Group. 

ICMP represents major and independent music publishers, alongside more than 80 national Music Publisher Associations (MPAs) across six continents. Its Expert Groups were recently established as part of ICMP’s structural evolution, covering areas including legal affairs, metadata, collective management, classical music and rights, and industry outreach. 

The Industry Metrics Expert Group brings together senior executives from global publishers and MPAs to advance data-led insights into the music publishing sector. Its work underpins ICMP’s landmark Music Publishing Markets Analysis, the first survey of its kind. 

The Global Regional Group - Asia Pacific is one of five ICMP regional groups worldwide and focuses on region-specific market, policy and advocacy issues across one of the industry’s fastest-growing and most complex territories. 

Commenting on the appointments, ICMP Director General John Phelan said the APAC region remains ICMP’s busiest, spanning intense industrial challenges, strong market growth and evolving advocacy priorities. 

ICMP Chair Jackie Alway OBE said: “ICMP’s Expert and Regional Groups play a vital role in shaping the operations and future directions of our industry across multiple facets. I am delighted to announce the appointment of Damian Rinaldi and Frederica Wong as Chair and Vice-Chair of the APAC (Asia Pacific) Regional Group, alongside John Reston taking on the role of Chair for the ICMP Metrics Expert Group.”

ICMP Global Regional Group APAC Chair and AMPAL CEO Damian Rinaldi said: 
“It’s a real privilege to serve as Chair of the ICMP APAC Regional Group. I’m looking forward to working closely with Frederica, the ICMP team and our Asia-Pacific colleagues as we continue championing the interests of music publishers and the songwriters they represent across our region.” 

ICMP Global Regional Group APAC Vice Chair Frederica Wong said:
“I am honored to be appointed as Vice Chair for the ICMP Regional Group for the APAC Region. I am excited to collaborate with Damian Rinaldi of ICMP’s Australasian Music Publishers’ Association and the ICMP team to advocate for the rights of songwriters.”

AMPAL congratulates all newly appointed Chairs and Vice Chairs and looks forward to contributing to ICMP’s ongoing global leadership on behalf of Australasian music publishers. 

#Ausify Your Algo!

The #Ausify campaign has officially launched to kick off AusMusic Month celebrations.

Teach your algo a lesson, #Ausify it.

Shape your algorithm by searching, listening, following and saving Australian music.

Click here to join us throughout AusMusic Month to #Ausify your algo.

Join us on Instagram for AMPAL Chair Clive Hodson, AMPAL CEO Damian Rinaldi and AMPAL Comms & Dev Officer Kylie Martin’s A-Z Picks of the Day.

Download #Ausify assets here📍 

Follow Ausify on socials:

Facebook @ausifyau

Instagram @ausifyau

LinkedIn @ausifyau

TikTok @ausifyau

YouTube @ausifyyouralgo

AMPAL stands with Australia’s music industry on landmark copyright decision

A milestone moment for Australia’s music publishers and the songwriters and composers they represent. 

AMPAL stands proudly alongside the nation’s leading music industry bodies in welcoming the Attorney-General’s announcement that the Albanese Government has ruled out introducing a Text and Data Mining (TDM) exception into Australian copyright law. 

Almost two years ago, APRA AMCOS convened the first creative industry roundtable on AI, uniting the music community to defend the rights of creators. That coalition has worked tirelessly ever since to ensure that permission and payment remain at the heart of innovation. 

Damian Rinaldi, AMPAL CEO 
“This is a big win for songwriters and composers, and the publishers who champion them. By rejecting a TDM exception, the Government has made it clear that permission and compensation still matter in the age of AI. AMPAL has always believed that licensing, not exceptions, is the right path forward, so we applaud the Albanese Government’s decision to uphold copyright law and stand with Australia’s creative community.” 

Clive Hodson, AMPAL Chair 
“The Federal Government’s rejection of a TDM exception finally gives much-needed certainty to Australia’s music publishers, for whom the risk of creative theft was acutely felt. Creators and their partners can now move forward with confidence and continue to excel on the global stage.” 

AMPAL applauds this outcome and celebrates the united voice of Australia’s music industry in protecting creators’ rights in the age of AI. 

The Australian Music Industry United: Licensing, Not Exceptions, Is the Path Forward for AI

On Tuesday, 30 September 2025, AMPAL appeared before the Australian Senate Select Committee on the National Cultural Policy at Parliament House, Canberra.

AMPAL CEO Damian Rinaldi presented an opening statement (below) on behalf of the music publishing community, joining industry colleagues Dean Ormston (APRA AMCOS), Jenny Morris (APRA Chair) and Annabelle Herd (ARIA & PPCA).

Together, the group made a united and compelling case for a licensing solution to the use of music in AI training and against the introduction of a new copyright exception for text and data mining (TDM).

I read an interesting quote last night, from the Chief Executive of the Tech Council of Australia in the Sydney Morning Herald.  He said “The TCA is hopeful Australia can find a path forward on copyright, that allows AI training to take place here, while also including appropriate protections for creators who make a living from their work.”  

From AMPAL’s perspective, that path can be readily found in licensing.  Every one of our 50-plus music publishers members does it (as do APRA AMCOS and PPCA) every day.   

The Productivity Commission proposes a text and data mining copyright exception.  For context, the last copyright exception brought into law related to access by persons with a disability - clearly an exceptional special case.  A TDM exception, however, ain’t so exceptional.  The issue it seeks to address can be fixed by - licensing.   

As for the idea of an opt-out “compromise” – that’s like your home has been overrun by complete strangers, and it’s on you to have to ask nicely for them to leave.  No songwriter or publisher should have to grovel like that over their own songs – it’s un-Australian. 

Our recommendation is clear – licensing yes, exceptions no. 

📺 You can watch Damian’s full opening statement here.

Remembering Col Joye AM (1936-2025) - A Pioneer Who Shaped Australasian Music Publishing

Col Joye AM (1936-2025) was more than a rock ’n’ roll trailblazer - he played a huge part in laying the foundation for Australasian music publishing.  

Through ATA and Joye Music he supported local songwriters while safeguarding their rights and ensuring their music was heard throughout Australasia and across the world.  

Col Joye’s impact on Australian music goes far beyond his legendary rock ’n’ roll hits. As a visionary music publisher, he was instrumental in building one of the country’s earliest and most influential publishing companies through ATA and Joye Music.  

Col championed local songwriters at a time when Australasian music was fighting for its place on the world stage.  

Thanks to his vision and dedication, Col laid the foundation for a thriving Australasian music publishing community that AMPAL proudly champions today. 

At AMPAL we recognise Col for showing us that music publishing goes beyond business, it’s about believing in Australasian songwriters and backing them every step of the way. 

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Current and former AMPAL Board members reflect on their memories of Col Joye:

Clive Hodson - Current AMPAL Chair & Managing Director Perfect Pitch Publishing

Col Joye was a true pioneer of Australian music publishing and I feel deeply fortunate to have known him. AMPAL honours his extraordinary contribution to music publishing and his championing of songwriters, bringing their work to the world.

Fifa Riccobono AM - AMPAL Board member 1997 - 2002

Some years ago I was at a luncheon and Col was being his usual entertaining self, walking around the tables playing his ukelele and when he got to me he bent down beside me and started playing a Māori song, I softly said “Col, I’m Sicilian” and without missing a beat he segued into “That’s Amore” followed by that wonderful Col laugh!  He was the consummate performer and a wonderful guy to boot!  That darling man and that beautiful smile will be sorely missed.  Vale Col Joye. 

Mark Callaghan - AMPAL General Manager 2007 - 2010 

It was during my time as A&R Manager at Festival records that I first met Col Joye. From the first time we met I was so impressed by Col’s knowledge, zest for life and wonderful nature. 

We'd have lunch regularly during that time and also later when I was General Manager of AMPAL. Col would regale me with stories of his time with the Joye Boys - and boy they were a wild bunch! 

My favourite story was when Col told me of one particular tour the Joye Boys did with a group of artists that included Little Pattie and the wonderful Uncle Jimmy Little. 

Col described how the touring party checked into a motel in Moree (I’m pretty sure it was) and headed for their rooms. Some time later Col walked through reception and saw Uncle Jimmy sitting there. 

When he asked what Jimmy was doing, Jimmy said that he hadn’t been given a room as he wasn’t allowed to stay in that motel. 

According to Col, the touring party were outraged and promptly ‘trashed their rooms’ before leaving the hotel in disgust. 

That was Col - he deeply loved Australian Music and his fellow performers and had a keen sense of justice. 

He told me tales of the young Bee Gees hanging around the Festival studio hassling other artists to cover their songs.  

He told me stories about the great Johnny O’Keefe - the wild man of Aussie Rock - and how the only other artist he permitted to share his dressing room was Uncle Jimmy Little, the quietly spoken non-drinker that Johnny adored. 

They were marvellous lunches and the chance to hear the stories of Col’s life in music was just priceless. 

Col was also an astute businessman of course and a seminal figure in the development of our industry, so his thoughts and observations were always insightful and informative.

Knowing Col Joye was an absolute privilege. He was a gentleman and a scholar and will be greatly missed by all who knew him. 

Rest In peace Col. 

Peter Hebbes AM - Served as a Director on AMPAL's Board for over 40 years and General Manager from 2010 to 2012 

Col Joye was one of the most respected and loved members of the Australian music scene. His passing is the end of an era, but his history will linger on forever. 

His professional recording and performing career is well established and widely known. However his generosity in supporting and encouraging songwriters, is less known to the general public but well known within the Industry. He loved lyrics and tunes and was forever mentoring young and new writers in their craft. He always made his studio available to writers FOC, often engineering the sessions himself. In the early 60’s, he started Joye Publishing, and his first signing was Barry Gibb of the Bee Gees!! Col went on to sign many well-known Australian writers such as Kevin Johnson and Mike McClellan and was constantly pitching songs to recording artists all over the world, even in the last 12 months of his illness. 

His record label was just as busy, recording mainly family and friends, such as Little Pattie and Sandy Scott. He had amazing ears and pitch and was constantly correcting or changing music for stage shows and recordings. Not only did he love the music industry, he also loved his politics and was one of the behind-the-scenes organisers of the famous Gough Whitlam, “It’s Time” Campaign, written by Pat Aulton and recorded and produced in his studios. 

Together with his brother Kevin, they formed one of the most successful touring promotion companies, bringing artists out to Australia such as Bruce Springsteen, Barbra Streisand and Michael Jackson – just to name a few. 

Col was a great supporter of the Australasian Music Industry and always promoted and believed in the Societies - APRA/AMCOS, AMPAL, CMAA and ARIA. He was also a great supporter of the Golden Stave Foundation and Support Act. 

Col will be sadly missed by many and I personally will miss our regular lunches and get-togethers at the nearest “greasy spoon” (as he used to call them). 

Jeremy Fabinyi – AMPAL CEO 1992 - 1988 & General Manager 2012 - 2016 

Col and his brother Kevin Jacobsen were trailblazers in the early days of rock and roll in Australia and their publishing and entertainment businesses had a tremendous impact on the development of the music business. 

Matthew O’Sullivan – AMPAL General Manager 2016 - 2022 

I will remember Col Joye as a very entertaining, energetic and cheery fellow.  Col would announce his arrival at AMPAL AGMs as “Col Joye and the Joy Boys” from the back of the meeting room.  He was always a supporter of AMPAL and the music publishing sector generally.  The industry has lost a great ambassador and a great friend, but Col's legacy as a trailblazing and pioneering artist will endure.  My thoughts are with Dalys and the Joye family. 

Matthew Donlevy – Current AMPAL Board member & Managing Director Cooking Vinyl Australia  

My mother Rose, when in her early 20s worked at Chappell and Co and, as artists did in the day to find new songs to perform Col would pop into Chappell looking for new songs. She would give him the sheet music to the latest O/S songs for him to try. So every time I saw Col from an early age he would always greet me with “G’day Matt, how’s your mum”. Unnerving when a pop star of the time asks about your Mum… 

Art Phillips – Current AMPAL Board member & Owner & Director 101 Music Pty Ltd 

Col Joye was a musical legend and pioneer of the Australian Rock n’ Roll/Pop scene. He was the first Australian pop performer to have a national number one hit single with ‘Oh Yeah Uh Huh’. He continued with ten Top 10 hits in the Sydney charts from May 1959 to May 1962, including four Number 1s. 

I have many great memories of Col who was a true gentleman, a super talent, fun-loving, always with a smile, always with a story. He left a memorable impression on everyone he met. 

Many years ago whilst playing on one of Col’s recordings at ATA Studios Glebe, he handed me one of his favourite guitars. I commented when playing it – ‘Nice, but it has a bit of a weird neck’. He never let me live it down!  

Every time I would see him since that day he would address that moment immediately, shouting in his playful voice ‘Hey here’s the weird neck man’.  

In fact, just last November I was being interviewed on a local radio show at 2RRR FM with Michael Parsons, when low and behold Col calls in ‘live on air’ and says ‘How’s that weird neck man’. 

We thank you Mr Joye for your lifelong contributions to our industry over the years. You will be deeply missed. 

Damian Rinaldi - Current AMPAL CEO

Col Joye’s passing marks the loss of a true legend, not just of Australian performance history, but of our music publishing community. His support for AMPAL and our broader industry was constant and genuine. Long before many recognised the value of a song’s copyright, Col was backing songwriters with his time, resources and belief. 

Col’s impact will live on in the songs he championed, the careers he helped launch and the countless writers who found their start and their confidence because he believed in them. Vale, Col Joye.  

Col Joye - 1936-2025

AMPAL stands with AMCOS, APRA, ARIA, NATSIMO and PPCA in opposing the Productivity Commission’s proposed AI copyright exception

If AI needs our songs to learn, then our songwriters deserve to earn. 

Giving billion-dollar AI companies a free pass to mine copyrighted music without consent or compensation isn't innovation, it’s exploitation. 

AMPAL CEO, Damian Rinaldi said: “They can’t build the future of tech by gutting the future of Australian music. Let’s not rewrite our rules to benefit tech giants at the expense of our treasured Australian songwriters.” 

This proposal threatens not only the livelihoods of Australian songwriters, publishers and rights holders, but devalues their cultural contribution and risks decimating Australia’s creative industries. 

Australia’s copyright laws are not a barrier to progress, they’re the backbone of a thriving creative economy. 

They protect our songwriters.  
They ensure songwriters are paid.  
And they reflect their right to decide how their own works are used. 

This proposal isn’t progress, it’s a shortcut through someone else’s copyright. 

AMPAL Announces 2025 Round 3 MAICC Recipients; Program Extended Through 2026

We are thrilled to announce the recipients of AMPAL’s 2025 Round 3 Music Australia International Conference Contribution (MAICC) – Music Publishers Program!  

On top of that, in exciting news for members, Music Australia has confirmed the MAICC Music Publishers Program will continue through 2026, extending opportunities for music publishers to grow their global networks, deepen industry knowledge and discover new opportunities for their songwriters and composers.  

Damian Rinaldi, AMPAL CEO said: 

“We’re proud to back the next generation of publishers flying the flag for Australian music globally. This program is all about long-term impact: opening doors, building networks and creating meaningful opportunities for music publishers and their songwriters. We’re incredibly grateful to Music Australia for extending the MAICC program through 2026, it’s a powerful vote of confidence in AMPAL’s members and the future of Australian music publishing.” 
 
In Round 3, two of our valued publisher members have been awarded funding to represent Australian music publisher talent, at Amsterdam Dance Event (ADE 2025) and Music Tectonics 2025 (USA) respectively.  

Congratulations to our Round 3 MAICC Recipients:    

Kristy Lee Peters – Sweat It Out  

ADE 2025 – Amsterdam, Netherlands | 22–26 October 2025  

Representing one of AMPAL’s newest members and a first-time MAICC recipient, Kristy shared:  

“As someone new to the role of music publisher, I’m incredibly thankful to AMPAL for supporting this next step in my journey. Sweat It Out is a small but passionate independent publisher, and being able to attend ADE, and simultaneously running a first of its kind Aussie x ADE song writing camp is a huge moment for us. It’s setting us up as an exciting and strong voice in global dance music publishing, and I’m proud to be representing Australia on that stage.”  

Evan Buist – Melodie  

Music Tectonics 2025 – Los Angeles, USA | 4–6 November 2025  

Also, a first-time MAICC recipient, Evan said:  

 "As an Australian music exporter—and proudly representing dozens of local artists—Melodie is honoured to be a recipient of AMPAL’s 2025 Music Australia International Conference Contribution (MAICC) funding. This important support will enable us to showcase Australian music and licensing tech on the world stage at Music Tectonics in LA. We can’t wait!"  

We can’t wait to see the impact these two publishers will make on the global stage, and the opportunities they’ll create for Australian songwriters and composers.  

This project has been assisted by the Australian Government through Music Australia.